For those interested in communication about the environment, Radical Wordsworth: The Poet Who Changed the World by Jonathan Bate is pure poetry.
When I first read William Wordsworth's poetry as an English major in college, it clicked with me. I understood what he was saying, and beyond that, I recognized a perspective on the world that meshed with mine. My mind couldn't help but attach green colors to his words and images. As a result, when I found out about Bate's biography of the poet, I bought it instantly.
Along with focusing on Wordsworth's most revolutionary work, the book revisits earlier definitions of the word radical to expand our sense of the poet's impact. In particular, the definition of "implanted by nature" contains great importance for students of environmental communication. The biography certainly gives a sense that much of Wordsworth's power as a poet sprang from his feelings of connection with the environment.
By tracing today's language about the environment back to Wordsworth and through the people he influenced such as Ralph Waldo Emerson, Henry David Thoreau, and John Muir, Bate lends great support to his contentions about Wordsworth's importance to the modern environmental movement. He goes so far as to argue that national parks, which have long been called "America's best idea," were actually Wordsworth's idea, and the case Bate builds for this claim is compelling.
I would argue that Bate could have gone even further in establishing Wordsworth's impact on environmental communication. More than simply generating the language to advocate for national parks as basic conservation, Wordsworth preceded the later discussion of national parks as places of ecological importance, which has only gained momentum in recent decades. In addressing the role of every single part of the environment, including the elements we don't typically think of as grand, charismatic, or influential, Wordsworth pushed us to think on a larger scale, and his pen strokes can probably be seen in things like the studies showing wolves' impacts on stream bank erosion in Yellowstone National Park.
Bate might also have extended the discussion of Wordsworth's radical repercussions by examining the poet's influence on Emily Brontë. Scholars such as Stevie Davies and particularly Edward Chitham have shown how Brontë read heavily from Wordsworth's works and often took up his themes. In analyzing the epitaph Wordsworth wrote for Samuel Taylor Coleridge's son Berkeley, Bate looks at language that echoes in Brontë's Wuthering Heights. Describing someone in a grave, Wordsworth writes, "No motion has she now, no force / She neither hears nor sees / Roll'd round in Earth's diurnal course / With rocks, & stones, and trees!" The imagery brings to mind Brontë's depiction of Catherine Earnshaw in her grave, and the words are strikingly similar to those used by Catherine when she compares her love for Heathcliff to "the eternal rocks beneath." Given the argument I made last year about Brontë using imagination to turn the grave imagery into a transformative experience of the connection between people and their environment, I have to conclude that Wordsworth's poetry planted some seeds for such ideas from a woman who arguably surpassed him in radicalness.
Even though I wish Bate would have taken up the points about Brontë and the ecological aspects of the national parks, his biography of Wordsworth is very good, and anyone interested in the environment should check it out. To borrow some popular 1980s language, it's radical!
