The Art of Me 2: A Picture-Perfect Frame

I've been framed, and based on what I recently learned about frames, I think that's a pretty good development.

Around the Cape in the original matte.

When I purchased a print by Pacific Northwest artist Elton Bennett in August, I blogged about how I saw my perspective in Bennett's work. That alignment of viewpoints helped convince me to buy a print of his Around the Cape. I had the print framed last month, and Olympia Framemakers did such a great job, I see myself in the frame as well.

The key to the frame was finding the right matte for the print's perspective. Because the print already had a white matte when I bought it, I initially planned to just buy a frame for it. However, I knew the white matte didn't work with the print as well as other colors might. Olympia Framemakers explained that the matte and frame should mesh with the perspective an artist provides for a piece of art and suggested black or dark green matte to better match the colors of my print. I liked the dark green and had them use it to replace the original matte when they framed the art in a black frame.

Around the Cape in a dark green matte and
black frame by Olympia Framemakers.

As soon as I saw the finished product, I knew Olympia Framemakers had created a perfect frame for Around the Cape. The new matte supported all the colors in the print by letting them be as Bennett intended. As a result, the effect of the print expanded into the matte like someone stretching out in their bed. By extension, because I had identified with the print from the beginning, I could see myself in the matte too. The dark green felt like the Pacific Northwest, like home, like an essential part of me. I couldn't be happier with the work by Olympia Framemakers. For more information about them, check out their Web site.

In having my Bennett print framed, I learned that a perfect frame liberates as well as it contains.